Written by Kirk Baird
20-year-old Harold is obsessed with
death — particularly his own — until he learns how to really live through a youthful
80-year-old woman named Maude. Theirs was a love story as told in 1971’s Harold and Maude, an avant-garde
flop-turned cult classic that gets the deluxe treatment via Criterion
Collection on DVD and Blu-ray.
Harold and
Maude is also the template for numerous indie comedies to come: quirky
characters, contemporary soundtrack to punctuate emotions, poignant camera
shots, taboo subject matter and/or themes. (Director Hal Ashby essentially made
a Wes Anderson film while the 43-year-old Anderson was still in diapers.)
It’s the considerable age gap between
Harold and Maude that draws creeped-out looks from those who haven’t seen the
movie, but Higgins and Ashby handle the relationship with considerable care and
warm affection; Harold and Maude
makes a strong case that age isn’t necessarily a barrier for what the heart
feels. Standout performances by Bud Cort as the sullen and withdrawn youth, and
Ruth Gordon as his firecracker love interest effectively sell the premise of
the sweet and enduring relationship.
More than an offbeat love story, Harold and Maude packs a wicked sense of
humor, poking at contemporary mores, authority figures, and even the U.S. military
with pointed observations and amusing insults. It’s also a deceptively simple
story, refreshingly unencumbered by goofy side plots or oddball characters on
screen for strangeness sake.
Cat Stevens (now Yusuf Islam) provides
the memorable soundtrack, led by “If You Want to Sing Out, Sing Out” and “Don’t
Be Shy.” Unfortunately, Harold and Maude
soundtrack is not available for purchase — though it can be pieced together
through various CD releases. Criterion does include a recent interview with
Yusuf about recording the music for the film.
Among other interesting tidbits:
Ashby, pleased with the music as it was, used demo versions of the songs rather
than waiting for Yusuf to re-record them. Harold
and Maude pointed to a brilliant career for Ashby, who followed up the
black comedy with 1970s classics The Last Detail, Shampoo, Coming Home, and Being There, before a vicious drug habit made him persona non grata
in Hollywood by the mid-1980s.
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