The Newsroom Fades to Black

Written by Jon Williams

The third and final season of The Newsroom concluded this past season, bringing an end to HBO’s series about the perils and challenges of trying to do serious TV journalism in an era of reality TV and the endless quest for ratings. The lead role of passionate newsman Will McAvoy was ably handled by Jeff Daniels (in quite a departure from his other recent appearance as Harry Dunne in Dumb and Dumber To), heading an ensemble cast that also included Sam Waterston, Jane Fonda, Emily Mortimer, and Olivia Munn, among others.

The Newsroom was created by Aaron Sorkin, who also served as the primary writer for all 25 episodes. Sorkin started his career as a playwright, and got his start in Hollywood by writing the play A Few Good Men, adapting it himself for the movie starring Jack Nicholson and Tom Cruise. With its famous “You can’t handle the truth!” line thundered by Nicholson’s character, Sorkin’s reputation as a writer of smart, snappy dialogue was born. He would then go on to write the films Malice (currently unavailable) and The American President.

From there, Sorkin would make his first foray into the television world—in more ways than one. His first series, Sports Night (also unavailable), was, like The Newsroom, a show about doing television. Inspired by ESPN’s SportsCenter, the show focused on a group of people putting together a nightly sports show. The comedy was well received by critics but scored low ratings (perhaps inspiring one of the conflicts at the heart of The Newsroom) and was only on for two seasons. It led, however, directly into The West Wing, the breakthrough drama starring Martin Sheen as President Jed Bartlet and focusing on his staff and administration.

The West Wing ran for seven seasons, ending in 2006, which saw the debut of Sorkin’s next series, Studio 60 on the Sunset Strip. With it, he returned to the world of television production, this time looking at a sketch comedy series. However, it garnered much the same reaction as Sports Night, and only lasted one season. At that point, Sorkin returned to working for the big screen, adapting books into screenplays for the hit movies Charlie Wilson’s War, The Social Network (for which he won an Academy Award), and Moneyball.

With The Newsroom heading into the sunset, one of the projects on Sorkin’s horizon is another adaptation for the silver screen, this time of Walter Isaacson’s biography of Steve Jobs. He has said recently that he is unlikely to write again for television; if that’s true, he’s certainly left viewers with some great shows and memorable moments. Make sure you have his acclaimed work on your shelves for patrons to explore and enjoy.